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Mark Twain’s Adventures of Huckleberry Finn is, according to many critics and fond readers, the great American novel. Full of vibrant American characters, intriguing regional dialects and folkways, and down-home good humor, it also hits Americans in one of their greatest and on-going sore spots: the fraught issue of racism.
As Huck and Jim float down the Mississippi and encounter all manner of people and situations, and as Huck struggles mightily with his conscience concerning Jim, the novel strongly invites a moral and religious perspective.
Based on the Ignatius Critical Edition, this series examines, from the Judeo-Christian perspective, the life, the times, and influence of authors of great works in literature.
Joseph Pearce is currently the Writer-in-Residence and Visiting Fellow at Thomas More College of Liberal Arts in Merrimack, New Hampshire. He is also Visiting Scholar at Mount Royal Academy in Sunapee, New Hampshire. He is also Visiting Scholar at Mount Royal Academy in Sunapee, New Hampshire. He is co-editor of the Saint Austin Review (or StAR), an international review of Christian culture, literature, and ideas published in England (Family Publications) and the United States (Sapientia Press). He is also the author of many books, including literary biographies of Solzhenitsyn, J. R. R. Tolkien, C. S. Lewis, G. K. Chesterton, and Oscar Wilde.
To learn more about the authors and titles available in the Ignatius Critical Editions
unseen hand of providence felt by the reader. In his mythical creations or sub-creations, as he would call them, he shows how the unseen hand of God is felt far more forcefully in myth than it is ever felt in fiction. Paradoxically, fiction works with facts, albeit invented facts, whereas myth works with truth, albeit truth dressed in fancy disguises. Furthermore, since facts are physical and truth is metaphysical, myth, being metaphysical, is spiritual.”
Joseph Pearce is currently the Writer-in-Residence and Visiting Fellow at Thomas More College of Liberal Arts in Merrimack, New Hampshire. He is also Visiting Scholar at Mount Royal Academy in Sunapee, New Hampshire. He is also Visiting Scholar at Mount Royal Academy in Sunapee, New Hampshire. He is co-editor of the Saint Austin Review (or StAR), an international review of Christian culture, literature, and ideas published in England (Family Publications) and the United States (Sapientia Press). He is also the author of many books, including literary biographies of Solzhenitsyn, J. R. R. Tolkien, C. S. Lewis, G. K. Chesterton, and Oscar Wilde.
Based on the Ignatius Critical Edition, this series examines, from the Judeo-Christian perspective, the life, the times, and influence of authors of great works in literature.
Based on the Ignatius Critical Edition, this series examines, from the Judeo-Christian perspective, the life, the times, and influence of authors of great works in literature.
Episode 20 – Great Works in Western Literature with Joseph Pearce – G. K. Chesterton and “The Man Who Was Thursday”
Chesterton’s own response, and riposte, to the Decadence of the 1890s can be found in his novel “The Man Who Was Thursday”. Whereas the Decadents–taking their own perverse inspiration from the dark romanticism of Byron, Shelley and Keats-had stripped the masks off reality” and discovered darkness, Chesterton stripped the masks off reality” (from the “anarchists” in his novel) and discovered light — Joseph Pearce “Ignatius Insight” 
Based on the author’s experiences as a sailor, Herman Melville’s probing look into the human heart has been read and analyzed from every angle, including the most absurd. The tragic tale is looked at afresh in this Ignatius Critical Edition, which examines the background and other writings of the author and provides his essay on a work by his literary friend Nathaniel Hawthorne.
Editions
To learn more about the authors and titles available in the 
Shakespeare part 2
One of the most popular of Shakespeare’s plays, King Lear is also one of the most thought-provoking. The play turns on the practical ramifications of the words of Christ that we should render unto Caesar that which is Caesar’s, and unto God that which is God’s. When confronted with the demand that she should render unto Caesar that which is God’s, Cordelia chooses to “love and be silent”. As the play unfolds each of the principal characters learns wisdom through suffering.
Tom’s Cabin paints pictures of three plantations, each worse than the other, where even the best plantation leaves a slave at the mercy of fate or debt. Her questions remain penetrating even today: “Can man ever be trusted with wholly irresponsible power?”
