Formed Book Club

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Comte builds a new religion—with him as pope and scientific experts as bishops. Part 2, chapter 3, sections 1 and 2 of “The Drama of Atheist Humanism” by Henri de Lubac.

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Comte, the father of “social science,” believes in a new god: MANKIND. Fr. Fessio, Joseph Pearce, and Vivian Dudro finish part 2, chapter 2, of Henri de Lubac’s “The Drama of Atheist Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Why Comte DETESTED Jesus—and LOVED St. Paul. Fr. Fessio, Joseph Pearce, and Vivian Dudro begin studying part 2, chapter 2, of Henri de Lubac’s classic “The Drama of Atheist Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Even atheists need a god: How Comte turned data into a religion. Fr. Fessio, Joseph Pearce, and Vivian Dudro discuss pp. 147–79 (part 2, chapter 1) of Henri de Lubac’s classic “The Drama of Atheist Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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August Comte: How ”science” took over EVERYTHING. Fr. Fessio, Joseph Pearce, and Vivian Dudro begin to read PART TWO of “The Drama of Atheist Humanism” by Henri de Lubac.

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Are CHRISTIANS responsible for God’s death? Nietzsche thought so. Fr. Fessio, Joseph Pearce, and Vivian Dudro finish their study of PART ONE of “The Drama of Atheist Humanism” by Henri de Lubac, S.J.

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

Podcast: Play in new window | Download (Duration: 41:38 — 28.7MB) | Embed

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“Be hard, be terrible, be pitiless!” The world in the wake of Nietzsche, as we study part 1, chapter 3, of Henri de Lubac’s “The Drama of Atheist Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Logic isn’t everything, but what happens when we reject it altogether? Two great philosophers go head to head: Kierkegaard (Christian) and Nietzsche (Atheist).

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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Atheism is boring: the lifeless life of Nietzsche. Fr. Fessio, Joseph Pearce, and Vivian Dudro finish chapter 1 of Henri de Lubac’s “The Drama of Atheist Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.

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The return of the gods: When we kill God, something darker takes His place. This week, we take on Feuerbach and Nietzsche as Fr. Fessio, Joseph Pearce, and Vivian Dudro read Henri de Lubac’s landmark study “The Drama of Atheism Humanism.”

You can find the book here

De Lubac traces the origin of 19th century attempts to construct a humanism apart from God, the sources of contemporary atheism which purports to have “moved beyond God.” The three persons he focuses on are Feuerbach, who greatly influenced Marx; Nietzsche, who represents nihilism; and Comte, who is the father of all forms of positivism.

He then shows that the only one who really responded to this ideology was Dostoevsky, a kind of prophet who criticizes in his novels this attempt to have a society without God. Despite their historical and scholarly appearance, de Lubac’s work clearly refers to the present.

As he investigates the sources of modern atheism, particularly in its claim to have definitely moved beyond the idea of God, he is thinking of an ideology prevalent today in East and West which regards the Christian faith as a completely outdated.